By Jane Turner Rylands
From the writer of the acclaimed Venetian Stories, a charming new assortment approximately Venice from the viewpoint of its citizens. A professor writes lectures on Venetian literature for American millionaires. A baroness falls in love with the architect restoring the traditional palazzo of her husband's kin. An formidable gallery proprietor sells a tender artist's paintings swifter than he can paint it. a salesperson reveals how to journey up a narcissistic race motor vehicle driving force who seems capable of break out with something. As her characters negotiate the clash among culture and a speedily altering urban, Jane Turner Rylands attracts us deep right into a society all yet unknown to outsiders.From the alternate Paperback edition.
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Extra info for Across the Bridge of Sighs
Pauwels, Luc (1996b) De Verbeelde Samenleving: Camera, Kennisverwerving en Communicatie. Leuven/Apeldoorn: Garant. Pauwels, Luc (2006a) ‘Ethical issues of online (visual) research’, Visual Anthropology, 19: 365−369. Pauwels, Luc (2006b) ‘A theoretical framework for assessing visual representational practices in knowledge building and science communications’, in L. ), Visual Cultures of Science: Rethinking Representational Practices in Knowledge Building and Science Communication. Hanover and London: Dartmouth College Press—University Press of New England.
The respondents or culture under study produce their own cultural data in a visual form. The researcher’s control over the production process is therefore more limited than with researchergenerated visuals, but usually higher than with found visual data. It is important to note that the respondent-generated material, while offering a unique (insider) perspective, is never an end product, but just an intermediate step in the research. indd 8 verbally or visually framed within the research output.
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Across the Bridge of Sighs by Jane Turner Rylands