Get Arts and Humanities through the Eras: Medieval Europe PDF

By Kristen Figg

Profiling milestones and activities within the arts, literature, tune and faith from a particular interval, each one quantity during this set is helping scholars and researchers comprehend a few of the disciplines of the arts in terms of one another, in addition to to historical past and tradition. an summary of the interval and a chronology of significant global occasions start each one quantity. 9 chapters stick to masking the main branches of the arts: structure and layout, dance, style, literature, song, philosophy, faith, theater and visible arts. Chapters commence with a chronology of significant occasions in the self-discipline by way of articles protecting the activities, faculties of notion and masterworks that represent the self-discipline in the course of the period and biographical profiles of pioneers, masters and different sought after figures within the box. Chapters additionally comprise major basic records from the interval, together with quotations, excerpts from artists approximately their paintings and/or commentaries/criticism released in the course of the interval, and a listing of common references for extra details.

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Extra resources for Arts and Humanities through the Eras: Medieval Europe (814-1450)

Sample text

Then the person swung the diagonal until it lined up with the side of the square. That person has just designed most of the twelfth-century Cistercian abbey of Jerpoint in Ireland: its cloister is a 100-foot square while the nave, created by the diagonal, is 142 feet long. Swinging the diagonal in the other direction establishes the width of the east range of the cloister buildings. A similar square root of two ratios ran through Norwich Cathedral, begun in the late eleventh century, and controlled the relation of width to length of the papal church of Saint-Urbain in Troyes which was begun in 1262.

The palace chapel—this is Notker’s “cathedral”—consisting of an outer sixteen-sided polygon enclosing an octagonal central space, looked to a tradition of centralized court chapels found throughout the Mediterranean world from the fourth century on; but it was especially close in form to Justinian’s church of San Vitale in Ravenna in Italy (c. 540–548). Charlemagne himself had passed through Ravenna shortly before construction of Aachen was begun and his direct experience of this beautiful imperial church must have been a decisive factor in its design.

The sturdy piers, the tiers of arches, the sophisticated combination of vaults, and the Arts and Humanities Through the Eras: Medieval Europe (814–1450) 7 Architecture and Design Choir: The part of a church to the east of the transept, occupied by monks during the singing of offices. MEDIEVAL Architecture Terms Clerestory: A portion of the interior of a church rising above adjacent rooftops and having windows to admit light. Aisle: A long open narrow area at the sides of a church used to walk through the structure.

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Arts and Humanities through the Eras: Medieval Europe (814-1450) by Kristen Figg

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